Published Articles & Music — Papers Read at Conferences
Published writings and conference papers include book reviews, interviews and articles on Early Music, Traditional Music, Early-Traditional Music Crossover, Improvisation and Playing by Ear, Music Education, Scoring Silent Films, and the Pardessus de Viole.
NON-REFEREED ARTICLES
38 Books reviews for Early Music America magazine (2004-present)
- "Marketing Early Music" EMA (Fall 2015)
- "Viola da Gamba Dojo: A Cross-Generational Community Learns to Love the Viol" EMA (Fall 2014)
- "I have a Friend named Viola: Presenting Music Workshops in the Schools" EMA (Spring 2012)
- "SoundCatcher: How to Play by Ear" American Recorder (November 2011)
- "Contextual Improvisation: Why Swat Flies with a Frisbee?" EMA (Spring 2011)
- "Contextual Improvisation: Why Swat Flies with a Frisbee?" EMA 17/2 (Spring 2011): 56-65
- "Shelly Gruskin: ‘I feel like a Millionaire’" EMA 9/2 (Spring 2003): 41-45
- "Fletcher Collins, Song Catcher" EMA 8/2 (Spring 2002): 35-53
- "Voices from the Cutting Edge" EMA 7/2 (Spring 2001): 24-30
- "Letter from Ireland" Strings Magazine 67 (November/December 1999): 45-49
- "Tina Chancey & Judith Kraft: A Successful Collaboration" Strings Magazine 65 (November/ December 1997): 29-34
- "Where does History (& Early Music) Go from Here?" EMA 1/2 (Winter 1995): 36-37
- "Part One: Where has History Gone and Why?" EMA 1/1 (Fall 1995): 38
- "An introduction to grant writing for early music ensembles" A guide to Funding Early Music: Early Music America Information Resource Series 3 (1994): 1-7
- "Crossing Over: HESPERUS in the Far East" Historical Performance 6/1 (Spring 1993): 55-6
- "Tracing an Encounter Between Two Worlds" Encounters 9 (Summer 1992): 31
- "Early Music from Colonial Latin America" Continuo 16/2 (April 1992): 20-22
- "The Pardessus de Viole" Strings Magazine 6/5 (March/April 1992): 64-66
- "What a little moonlighting can do" Historical Performance 4/2 (Fall 1991): 101-102
- "HESPERUS Crosses Over" Cadenza Magazine 5 (May 1990): 7-8
REFEREED ARTICLES
- "Barthelemy de Caix, the pardessus de viole, and the Politics of Virtuosity" Journal, Stiftung Kloster Michaelstein (Spring 2015)
- "Review of “Susan Orlando, ed. The Italian Viola da Gamba: Proceedings of the International Symposium on the Italian Viola da Gamba" Journal of the American Musical Instrument Society XXXI (2005): 85-86
- "Review of “Sterling Scott Jones, The Lira da Braccio" Journal of the American Musical Instrument Society XXIV (1998): 151-153
- "Gender, Class and Eighteenth-Century French Music: Barthélemy de Caix’s Six Sonatas for Two Unaccompanied Pardessus de Viole, Part II" Journal of the Viola da Gamba Society of America XXXIV (1997): 47-64
- "Gender, Class and Eighteenth-Century French Music: Barthélemy de Caix’s Six Sonatas for Two Unaccompanied Pardessus de Viole, Part I" Journal of the Viola da Gamba Society of America XXXIII (1996): 47-78
- "Spain in the New World" Early Music America Educational Resource Units (1995): 25pp
MUSIC EDITIONS
- "Celtic Gold, Book 2: Tina Arranges Irish Music for Viol Consort" Rondo Publishing, 2012
- "American Roots: The Violin Book" Mel Bay, 1996
PAPERS READ AT CONFERENCES
- "Improvising to “The Mark of Zorro”: The Politics of Collaboration with two or more preexistent partners" International Society for Improvised Music Conference, Chateau d'Oex, Switzerland, 2015
- "Hesperus plays Zorro: Improvisation, Early Music and Early Film–Expanding the Practice" International Society for Improvised Music Conference, June 2014
- "Barthelemy de Caix and the Politics of Virtuosity" Stiftung Kloster Michaelstein, Blankenburg, Germany, November 2010
- "Will the Real Robin Hood Please Stand Up?" Madison Early Music Festival, Madison, WI, July 2010
- "In Sherwood Lived Stout Robin Hood: Creating a film score with historically appropriate music" Music and the Moving Image Conference, New York University, May 2007
- "Adam de la Halle, Henry VIII and Robin and Marian" Robin Hood Conference, University of Delaware, September 2005
- "A Comparison of two Pardessus de Viole in the Boston Museum of Fine Arts" American Musical Instrument Society, June 2002
- "Medieval-Appalachian Crossover Fusion and the Chimera of Authenticity" Dunbar Early Music Festival, Northwestern University, January 2001
- "Gendered Musical Instruments" Attending to Women Conference, University of Maryland, November 2000
- "Introducing the Pardessus de Viole" Musical Intersections, Toronto, November 2000
- "The Concerto delle Donne and the Spice Girls have more in common than you think" Performance Today, National Public Radio, March 1999
- "Gender, Class and Eighteenth-Century French Music" National Museum of Women in the Arts, January 1997
- "Les Filles de Ste. Colombe: Women and the Viol, 1660-1760" Society for Interdisciplinary French 17th-century Studies, October 1996
- "The Search for Mademoiselle Levi" American Musical Instrument Society, May 1996
- "Lucette, Liberated Woman or Hoax?" National Museum of Women in the Arts, March 1996
- "From Donna di Palazzo to Concerto delle Donna and Beyond" National Museum of Women in the Arts, May 1995